"Even as a minimalist, Felix Gonzalez-Torres also had a whimsical, humanistic side that showed the influences of pop art on his installations. In this "portrait" of his deceased partner, Ross Laycock, Gonzalez-Torres created a spill of candies that approximated Ross's weight (175 lbs.) when he was healthy. Viewers are invited to take away a candy until the mound gradually disappears; it is then replenished, and the cycle of life and death continues. While Gonzalez-Torres wanted the viewer/participant to partake of the sweetness of his own relationship with Ross, the candy spill also works as an act of communion. More darkly, the steadily-diminishing pile of cheerfully-wrapped candies shows the dissolution of the gay community as society ignored the AIDS epidemic. In the moment that the candy dissolves in the viewer's mouth, the participant also receives a shock of recognition at his or her complicity in Ross's demise."