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| I ROCKED a pear, yo. |
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| We did a lot of still life studies in class. This is pen & ink, not charcoal/pencil like the others. |
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| It's harder to capture the white balance than I thought. |
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| The best thing in class was seeing how many different ways people drew what they saw. No drawings were even remotely similar. Angles & shading can change the entire picture. |
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| Experimenting with different ways to shade. |
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| Here I was trying to draw a body that contained a bit of a belly to see about different physical forms. |
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| Another pen & ink. |
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| I enjoyed trying to draw Edvard Munch's Madonna but it's on the flat side. I need to learn good shading techniques to add dimension. |
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| I struggled with the face here (and you can tell) but I was mostly concentrating on the body since it was one of the first times I was branching out to a whole figure. |
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| Here, experimenting with different postures. |
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| Heart-shaped face. |
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| A quick 5-minute sketch of my hand. |
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| Eyes are extremely difficult for me -- getting the right proportions is a huge challenge. |
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| Charcoal drawing of fruit on a cloth setting. Capturing wrinkles in cloth is also extremely difficult. Here I introduced color to add dimension. |
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| I didn't intend for this to resemble Julia Roberts -- if I TRIED, I'm pretty sure it would have failed! But kind of neat that it turned out that way. |
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| Mug shot! Not really, but that's what this looks like. |
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| This reminds me, in retrospect, of Mad Magazine's Spy vs. Spy series, for the outfit and rushing inference. |


















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